2022
I started making works in motion in 2021 as a resident of the Boghossian Foundation in Brussels. These floating and hanging sculptures have been for me an attempt to reimagine my connection with the notions of pleasure, playfulness and balance, as well as the visual condition of stereoblindness.
Intense color, movement, flowing contours and flatness of surfaces are all central in the design of these works. A certain variability of the size, position and overall shape is deliberately planned as a way to praise motion and constant change.
Why Be Still? is a thirty-five-piece floating installation specifically designed for the water garden of Imaret— a late Ottoman historic building in Northern Greece. The arabesque motifs and color-scale of the work are inspired by the decorative patterns of Islamic Art and the ideas of contemplation and rejuvenation associated with the design of Islamic gardens. The pieces are loosely attached to each other so that the overall composition can follow the subtle movement of the water.
polyvinyl foam, paint,, wire
The Dream is a small-scale site-specific study intended for the swimming pool of the Villa Empain. It is created as a counterpoint to the repetitive symmetrical decorations of this Art Deco villa, The perpetual motion of this work interested me immensely and opened up the path for more complex in terms of movement installations and three-dimensional works.